Last week, I had a meeting at Geek and Sundry to discuss several geek and sundry things, some of them related to my show Tabletop. We all thought it would be fun and awesome to do a live Google Hangout Q&A thingy for all the people who love the show and…
“Filmed over five years in twenty-five countries, SAMSARA is a new, non-verbal documentary from filmmakers Ron Fricke and Mark Magidson, the creators of BARAKA. It is one of only a handful of films shot on 70mm in the past forty years.”
Starring Ben Affleck, Victor Garber, John Goodman, Alan Arkin, Tate Donovan, Bryan Cranston
Directed by Ben Affleck
Written by Chris Terrio (screenplay) based on an article by Joshuah Bearman “How the CIA Used a Sci-Fi Flick to Rescue Americans from Tehran”
I admit I didn’t know a lot about the incident at the embassy in Iran. I knew of it, but not the fate of the “Houseguests”, six embassy workers who fled out a backdoor onto the streets and made their way to the Canadian Embassy to be hidden by Ambassador Ken Taylor (Victor Garber). After the CIA discovers the six are in hiding, they must figure out a way to smuggle them out of a country in chaos. Operative Tony Mendez (Ben Affleck) comes up with a plan. Not exactly a good plan, but a plan.
I really enjoyed this movie. It was full of tension and humor, as well as great performances by the amazing cast. I’m not usually a Ben Affleck fan, but I cannot fault his acting here and the movie is really well directed. I enjoyed seeing genuine footage of the incident and a life before cell phones, internet and id scanners. It’s remarkable how many times I thought something would never work because I was thinking about cell phones or another form of instant communication. It’s kind of scary how deeply ingrained those items are in our daily lives that I forgot that at one time not so long ago (in my lifetime) they didn’t exist. Not knowing the fate of the six Americans definitely added to the tension in the third act, which had me on the edge of my seat. I don’t know if I would have enjoyed it as much if I had known, but in this case my ignorance of events lent itself to the experience. So if you do not know the outcome, do not spoil it, go into this movie blissfully unaware.
Also, stay after the first bit of credits for a quick historical bit of an interview with former President Carter.
This is really amazing. Reminds me of Falling Skies or Revolution. Music reminds me of Star Wars. It’s very entertaining to watch and I’m looking forward to seeing more. https://vimeo.com/38591304
“Musical instinct” may be joining their ranks soon, according to the observations unleashed within a new book by Gary Marcus called Guitar Zero: The New Musician and the Science of Learning. It’s not that he implies that musical instinct doesn’t exist. What’s really interesting about Marcus’ book, and life experience, is that he found it isn’t necessary. In the process debunks many notions about “old dogs learning new tricks” and “the best time in life to learn”.
We’ve all heard about the 10,000 hours rule: That consistent, dedicated practice is required to truly master a skill. What wasn’t clear was whether someone retained the ability to master a skill later in life. Goodness knows I’ve forgotten at least 10,000 hours worth of skills. There’s got to be hope for me.
Marcus decided to learn how to play guitar. Despite not starting until age 38, he mastered it. Not strumming, but really good stuff. In the process he verified what a lot of recent research has found about how we learn. Our brains retain the ability to adapt to new skills and patterns of thinking for most of our life, if not all. This “neuroplasticity” was thought to peak in the young, but with the right approach, building new neural patterns (and the skills those patterns encode) is within anyone’s reach.
I highly recommend heading over to Brain Pickings to read more about the research this is based on. Maybe it’ll inspire you to learn something you thought you couldn’t.
Now, if you’ll excuse me, I have some piano sonatas to master before bedtime.*
I want to post a new short film every week. I’m starting with one that represents my sadness over the loss of film as a medium. Going digital makes a lot of sense in many ways, but there is something to be said about holding something physical in your hands.